{"id":732,"date":"2015-01-04T11:00:03","date_gmt":"2015-01-04T11:00:03","guid":{"rendered":"https:\/\/raahak.com\/?p=732"},"modified":"2015-01-02T22:05:39","modified_gmt":"2015-01-02T22:05:39","slug":"%d8%aa%d8%b1%d8%ac%d9%85%d9%87-%d8%a7%d8%af%d8%a8%db%8c%d8%a7%d8%aa-%d9%81%d8%a7%d8%b1%d8%b3%db%8c-%d8%af%d8%b1-2014","status":"publish","type":"post","link":"https:\/\/raahak.com\/?p=732","title":{"rendered":"\u062a\u0631\u062c\u0645\u0647 \u0627\u062f\u0628\u06cc\u0627\u062a \u0641\u0627\u0631\u0633\u06cc \u062f\u0631 \u06f2\u06f0\u06f1\u06f4"},"content":{"rendered":"
\n

\u0633\u0627\u06cc\u062a \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u0632\u0628\u0627\u0646 \u067e\u0627\u0631(\u0633)\u0627\u06af\u0648\u0646 \u06a9\u0647 \u0633\u0627\u06cc\u062a\u06cc \u062e\u0635\u0648\u0635\u06cc \u0627\u0633\u062a \u0648 \u0628\u0647 \u0627\u0646\u0639\u06a9\u0627\u0633 \u0641\u0639\u0627\u0644\u06cc\u062a\u0647\u0627\u06cc \u0646\u0648\u06cc\u0633\u0646\u062f\u06af\u0627\u0646 \u0627\u06cc\u0631\u0627\u0646\u06cc \u062f\u0631 \u062f\u0646\u06cc\u0627\u06cc \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u0632\u0628\u0627\u0646 \u0645\u06cc \u067e\u0631\u062f\u0627\u0632\u062f \u062f\u0631 \u06af\u0632\u0627\u0631\u0634 \u0622\u062e\u0631 \u0633\u0627\u0644 \u062e\u0648\u062f \u0645\u06cc \u0646\u0648\u06cc\u0633\u062f \u06a9\u0647 \u0633\u0627\u0644 \u06f2\u06f0\u06f1\u06f4 \u062a\u0639\u062f\u0627\u062f \u06a9\u0627\u0631\u0647\u0627\u06cc\u06cc \u06a9\u0647 \u0627\u0632 \u0627\u062f\u0628 \u0641\u0627\u0631\u0633\u06cc \u0645\u0639\u0627\u0635\u0631 \u0628\u0647 \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u062a\u0631\u062c\u0645\u0647 \u0634\u062f\u0647 \u0632\u06cc\u0627\u062f \u0646\u06cc\u0633\u062a \u0648 \u0628\u0647 \u06f1\u06f0 \u0646\u0645\u06cc \u0631\u0633\u062f. \u062f\u0631 \u0632\u06cc\u0631 \u06af\u0632\u0627\u0631\u0634 \u0648 \u0641\u0647\u0631\u0633\u062a \u0627\u06cc\u0646 \u0622\u062b\u0627\u0631 \u0631\u0627 \u0645\u06cc \u062e\u0648\u0627\u0646\u06cc\u062f \u06a9\u0647 \u0634\u0627\u0645\u0644 \u06a9\u0627\u0631\u0647\u0627\u06cc\u06cc \u0627\u0633\u062a \u0627\u0632: \u0646\u06cc\u0645\u0627 \u06cc\u0648\u0634\u06cc\u062c\u060c \u0639\u0644\u0645 \u062a\u0627\u062c \u0698\u0627\u0644\u0647 \u0642\u0627\u0626\u0645 \u0645\u0642\u0627\u0645\u06cc\u060c \u0645\u062d\u0645\u0648\u062f \u062f\u0648\u0644\u062a \u0622\u0628\u0627\u062f\u06cc\u060c \u0622\u0644 \u0627\u062d\u0645\u062f\u060c \u0645\u0647\u062f\u06cc \u0634\u062c\u0627\u0639\u06cc\u060c \u06af\u0632\u06cc\u062f\u0647 \u0627\u06cc \u0627\u0632 \u0622\u062b\u0627\u0631 \u0632\u0646\u0627\u0646 \u062f\u0627\u0633\u062a\u0627\u0646 \u0646\u0648\u06cc\u0633 \u0648 \u06af\u0632\u06cc\u062f\u0647 \u0627\u06cc \u0627\u0632 \u062f\u0627\u0633\u062a\u0627\u0646\u0647\u0627\u06cc \u0645\u0631\u0628\u0648\u0637 \u0628\u0647 \u06af\u0648\u0634\u0647 \u0647\u0627\u06cc \u062a\u0627\u0631\u06cc\u06a9\u062a\u0631 \u0632\u0646\u062f\u06af\u06cc \u062f\u0631 \u062a\u0647\u0631\u0627\u0646.<\/p>\n<\/blockquote>\n

Farzaneh Doosti<\/strong><\/p>\n

PAR[s]AGON<\/a><\/p>\n

\u06f1. Nima Youshij: Modern Persian Poetry<\/p>\n

\"Nima-Youshij\"<\/a><\/h6>\n

Translated by Somaye Talebi & Leila Rasouli | Candle & Fog Publications | Paperback: 152 Pages | 2014 |\u00a0 ISBN: 9789642667710<\/span><\/p>\n

Nima Youshij (born as Ali Esfandyari in 1897) is perhaps the most important pillar of what is known today as modern poetry. His new style of poetry, which was named after him as Nimaic, breaks from the chains of classic Arouz (Arabic prosody) and by fabricating a kind of blank verse with loyalty to internal rhythm paved the way for the glorification of modern Persian free verse.<\/p>\n

In this peerless book, two young translators have collected and translated a number of critical notes on Nima\u2019s poetry and vision by thirty-tree eminent Iranian literati such as\u00a0 Akhavan Saless, Y. Ariyanpour, Darush Ashouri, Reza Baraheni, Simin Behbahani, Forough Farrokhzad, Natel Khanlari, Nosrat Rahmani, Ahmad Shamlou\u2026 and Shafi\u2019ei Kadkani. The second chapter then offers tedious translations of the best known pieces of Nima\u2019s poetry.<\/p>\n

\u06f2.\u00a0 Mirror of Dew: The Poetry of Alam-Taj Zhale Qa\u2019em-Maqami<\/span><\/h4>\n
\"\"<\/h6>\n

Translated by Asghar Seyed-Gohrab | <\/span>Paperback<\/span> \u2013 July 7, 2014 |\u00a0Ilex Foundation |\u00a0\u06f9\u06f7\u06f8-\u06f0\u06f6\u06f7\u06f4\u06f4\u06f2\u06f8\u06f2\u06f4\u06f9<\/span><\/p>\n

Mirror of Dew<\/i> introduces one of Iran\u2019s outstanding female poets, whose work has not previously been available in English. Zh\u0101le Q\u0101\u2019em-Maq\u0101mi (1883-1946) was a witness to pivotal social and political developments in Iran during its transition to modernity. Her poetry is deeply personal but includes social critique and offers a rare window into the impact of a modern awareness on private lives. She might be called the Emily Dickinson of Persian poetry, although Zh\u0101le was married, against her will.<\/p>\n

\u06f3. Thirst: a novel of Iran-Iraq war by Mahmoud Dowlatabadi<\/h4>\n
\"\"<\/h6>\n
Translated by Martin E. Weir <\/strong>| Pages128 | ISBN9781612193007 | June, 2014 | Melville House Books
\n<\/strong><\/h6>\n

Thirst (or in Persian \u0637\u0631\u06cc\u0642 \u0628\u0633\u0645\u0644 \u0634\u062f\u0646) is an account of an Iraqi journalist\u2019s tour of a military prison. The Major in charge of the camp informs the writer of what is expected: he is to write a fabricated report about a murder that has occurred in the camp, with the aim of demoralizing Iranian soldiers. Reluctant to write the report, the writer spends a long night talking and drinking with the Major and detailing a work of fiction he is composing about a group of soldiers trapped on a hill, dying of thirst as they battle for a water tank with a group of enemy soldiers perched on the opposite hill. The tank remains undamaged, but neither group has a hope of reaching it without being killed\u2026<\/p>\n

\u06f4. The Israeli Republic: a travelogue by Jalal Al-e Ahmad<\/h4>\n

\"\"<\/h6>\n

\u00a0Translated by Samuel Thrope | Restless Books | January 2014 | 71 Pages | Ebook Format<\/span><\/p>\n

A travelogue written byone of the leading intellectuals of Iran a decade before the 1979 Revolution. Documenting Jalal Al-e Ahmad\u2019s two-week-long trip to Israel in February of 1963, \u201cJourney to the Land of Israel\u201d caused a firestorm when it was published in Iran, upsetting the very revolutionary clerics whose anti-Western sentiments Al-e Ahmad himself had fueled. His enthusiasm having cooled down, Al-e Ahmad seems to have changed his views later on. Still, this is an interesting piece of historical value to read and know about.<\/p>\n

\u06f5. The Shipwrecked: Contemporary Stories by Women from Iran<\/span><\/h4>\n

\"\"<\/p>\n

Translated by Sarah Khalili, Faridoun Farrokh | Edited by\u00a0 Fereshteh Nouraie-Simone | Paperback: December 2014 |\u00a0The Feminist Press at CUNY<\/h6>\n

A hot from the oven book by Feminist Press which has collected a number of stories by contemporary Iranian women in the aftermath of revolution. The publisher has, unfortunately, offered no list of writers or stories included in the collection. An interesting book by title and theme, for whose assessment we have a whole year before us.<\/p>\n

<\/h4>\n

\u06f6. Democracy or Demo-Crazy<\/h4>\n

\"\"<\/h6>\n

By Seyed Mehdi Shojai | <\/span>Translated by Caroline Croskery\u00a0| May 2014 | Candle & fog Publications | 184 pages | 978-9642667802<\/span><\/span><\/span><\/p>\n

The title of this book is tantalizing as the story has apprently nothing to do with democracy, with the demo-somethings being in fact five sons of an imaginary king who is fond of naming his male offsprings as demo-things. The last of them, born blind and deformed, was popularized as \u2018Demo-Crazy\u2019. Sometimes compared by public readers to George Orwell\u2019s Animal Farm, <\/em>Democracy <\/em>or Demo-Crazy <\/em>as a novel has encouraged allegorical readings that is as universal as the former and would not disappoint its readers.<\/p>\n

\u06f7. Tehran Noir: short story collection<\/h4>\n
Edited by Salar Abdoh | 2014 Akashic Books | 280 Pages |\u00a0\u06f9\u06f7\u06f8-\u06f1\u06f6\u06f1\u06f7\u06f7\u06f5\u06f3\u06f0\u06f0\u06f8<\/h6>\n

\"\"<\/p>\n

Akashic Books continues its series of original noir anthologies, now with a book set in Tehran. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.<\/span><\/p>\n

As the title suggests, Tehran Noir <\/em>is another volume of the series which attempts in the noir fashion to pinpoint darker sides of life in other countries. The result is a couple of collections that I bet are unfavorable by Post-colonialist critics.<\/p>\n

In this collection you will read stories by contemporary writers like Danial Haghighi, Vali Khalili, Lily Farhadpour, Mahsa Mohebali, Aida Moradi Ahani, Farhad Heidari Gooran, Yourik Karim-Masihi, Azardokht Bahrami\u2026and Hossein Abkenar.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0633\u0627\u06cc\u062a \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u0632\u0628\u0627\u0646 \u067e\u0627\u0631(\u0633)\u0627\u06af\u0648\u0646 \u06a9\u0647 \u0633\u0627\u06cc\u062a\u06cc \u062e\u0635\u0648\u0635\u06cc \u0627\u0633\u062a \u0648 \u0628\u0647 \u0627\u0646\u0639\u06a9\u0627\u0633 \u0641\u0639\u0627\u0644\u06cc\u062a\u0647\u0627\u06cc \u0646\u0648\u06cc\u0633\u0646\u062f\u06af\u0627\u0646 \u0627\u06cc\u0631\u0627\u0646\u06cc \u062f\u0631 \u062f\u0646\u06cc\u0627\u06cc \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u0632\u0628\u0627\u0646 \u0645\u06cc \u067e\u0631\u062f\u0627\u0632\u062f \u062f\u0631 \u06af\u0632\u0627\u0631\u0634 \u0622\u062e\u0631 \u0633\u0627\u0644 \u062e\u0648\u062f \u0645\u06cc \u0646\u0648\u06cc\u0633\u062f \u06a9\u0647 \u0633\u0627\u0644 \u06f2\u06f0\u06f1\u06f4 \u062a\u0639\u062f\u0627\u062f \u06a9\u0627\u0631\u0647\u0627\u06cc\u06cc \u06a9\u0647 \u0627\u0632 \u0627\u062f\u0628 \u0641\u0627\u0631\u0633\u06cc \u0645\u0639\u0627\u0635\u0631 \u0628\u0647 \u0627\u0646\u06af\u0644\u06cc\u0633\u06cc \u062a\u0631\u062c\u0645\u0647 \u0634\u062f\u0647 \u0632\u06cc\u0627\u062f \u0646\u06cc\u0633\u062a \u0648 \u0628\u0647 \u06f1\u06f0 \u0646\u0645\u06cc \u0631\u0633\u062f. \u062f\u0631 \u0632\u06cc\u0631 \u06af\u0632\u0627\u0631\u0634 \u0648 \u0641\u0647\u0631\u0633\u062a \u0627\u06cc\u0646 \u0622\u062b\u0627\u0631 […]<\/p>\n","protected":false},"author":2,"featured_media":751,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[467,468,433,435,470,471,247,472,469],"class_list":["post-732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-6","tag-farzaneh-doosti","tag-parsagon","tag-433","tag-435","tag-470","tag-471","tag-247","tag-472","tag-469"],"_links":{"self":[{"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/posts\/732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/raahak.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=732"}],"version-history":[{"count":0,"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/posts\/732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/raahak.com\/index.php?rest_route=\/wp\/v2\/media\/751"}],"wp:attachment":[{"href":"https:\/\/raahak.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/raahak.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/raahak.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}